Is Pixieset Photo Editor a Lightroom Alternative for Photographers?
For over a decade, Pixieset has built its name on gallery hosting and then expanded into photography business management with Studio Manager. Now it turns its head to tackling what happens in the gap between the shoot and the delivered gallery. Pixieset Photo Editor is an AI-assisted culling and raw editing app for photographers that brings culling, editing, and gallery delivery into one workflow. Photographers can cull large shoots, batch edit in their own style, make advanced raw adjustments, and publish finished photos directly to a Pixieset gallery.
A Look at Wandrd’s Expanded Accessory Line for the Rogue Sling Bags
If you’ve ever been out exploring a place, especially one that has a lot of interesting subjects, you would know how having an organized and efficient bag can impact your output. These new accessories for the WANDRD ROGUE bags offer to take the user experience to a whole new level.
If AI Is Trained on Your Photographs, Is the Result Still Photography?
Photography has worked without a camera and without shooting. Generative images test what is left after that.
You spend twenty years building a photographic archive, then train a generative model on it. The model begins producing images that look unmistakably like your work. Are those images photography?
Two questions hide in that one. Are the images photographs? And can the practice that produced them still be photographic?
How Many Lightroom Classic Catalogs Do You Actually Need?
The way you set up your Lightroom Classic catalog decides how fast you can find a shoot from two years ago and how much work your next backup will be. Most people make that call in their first month with the software, long before they have enough photos to see how it plays out.
Fstoppers Photographer of the Month (September 2026): Jason Buff
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2026, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
How to Shape Light in Lightroom After You've Taken the Shot
Flat, evenly lit landscape files often sit unused on a hard drive, even when the location itself was beautiful. Lightroom's masking tools let you decide where the light falls after the shutter closes, so a dull frame of a field and a hill can be rebuilt into something with real depth and contrast.
What Separates a Good Photo From One That Makes You Better
You can shoot thousands of frames in a busy wedding season and still struggle to name the few that pushed your work forward. Separating the images that pleased a client from the ones that changed how you shoot is a useful habit, and it takes more honesty than most portfolio reviews ask for.
Can Sony's a7 V Handle a Full Wedding Season?
Sony's a7 V is the general-purpose body in its full frame lineup, yet it now carries a 33-megapixel sensor and uncropped 4K at 60p, which puts pressure on the pricier models above it. If you shoot weddings, events, or a mix of stills and video, the question is how much paid work a base model can carry before you need something more specialized.
Hands-On With the Nikon Z5IIC: A Z5II Without the EVF
Today, I’ll give you my initial hands-on impressions of Nikon’s new entry-level mirrorless camera, the Z5IIC.
The Rise and Fall of the Mall Portrait Studio
On April 3, 2013, one company turned off the lights in more than 2,000 portrait studios in a single day. CPI Corp. ran the Sears Portrait Studios and the PictureMe studios tucked inside Walmart, and when it collapsed it took the mottled blue backdrop, the laser-beam background, and the sheet of wallet-size prints down with it. For most of a century, that little studio at the back of the store was where America went to get its face made.
5 Vintage Lenses That Can Transform Modern Digital Cameras
Modern cameras are so good now that they pretty much do all the work for you. Focusing is instant, you get large, detailed files with incredible dynamic range, and the camera has the ability to correct many optical shortcomings of the lens attached in-camera, resulting in technically polished images. How predictable. And boring.
The Camera Settings a Working Family Photographer Actually Uses
Plenty of working portrait shooters still feel a flicker of guilt every time the mode dial leaves M, as if aperture priority or auto ISO were a confession. Choices about mode, file format, and aperture decide how quickly you can work with clients who won't hold still and how much room you have to fix things later.
Is the Real Estate Photography Market Actually Shrinking?
Real estate photography depends on how many listings agents actually land, so a headline claiming most agents closed nothing in a year hits hard if houses pay your bills. When the numbers behind your client base shift, the way you choose clients, package services, and plan the next few years should shift with them.
Long Exposures at the Coast When the Tide Arrives Early
A long exposure on a bright, sunny morning sounds like a contradiction, yet it is exactly what turns restless water into smooth glass around breakwaters and sea markers. Hard coastal light forces tougher choices about filters, exposure blending, and whether an image survives in color at all.
Can a Budget TTArtisan 85mm f/1.8 Handle Paid Portrait Work?
Native 85mm f/1.8 lenses from the major camera makers commonly run several hundred dollars, and that cost keeps a dedicated portrait lens out of a lot of starter kits. The TTArtisan AF 85mm f/1.8 Neo lands far below that range with full autofocus on full frame mirrorless bodies, which makes it fair to ask how much gets cut to reach that price.
Kodak Detected the First Atomic Bomb Test Because Its Film Kept Fogging
A batch of packaging board made at a mill on the Wabash River on August 6, 1945 came out radioactive, and the X-ray film stacked against it fogged after roughly two weeks in the box. A physicist at Eastman Kodak worked backward from those spots to a bomb test about 1,000 miles away in the New Mexico desert. He then sat on the finding for four years before publishing it.
BenQ iScreenBar Mac Review: A Better Way to Light Your Workstation
Having a comfortable and well-lit workstation is something that can vastly improve your time working at your desk, and while many of us spend hours every day working at a computer, lighting is probably something that most of us don't give a huge amount of thought to.
Getting a Black Background in Bright Daylight With One Light
Bright midday sun and a pitted concrete wall are poor ingredients for a dark, moody portrait, yet one small gridded flash can turn them into exactly that. Learning to shut out ambient light, shape a single source, and then finish the file with careful retouching gives you a look you can repeat almost anywhere with very little gear.
Balancing Flash and Daylight for Sharper Macro Photos
Butterfly eyes are pure black, and bees are dark, quick, and always hopping between flowers that expose completely differently. Getting crisp, detailed macro shots of subjects like that is hard with daylight alone, and a small flash solves more of the problem than most people expect.
There's More to Good Color in Lightroom Than Color Harmony
When the colors in a Lightroom edit look gray, muddy, or garish, the first instinct is to open the color mixer and start pushing hue and saturation around. That approach can stack up 20 adjustments that cancel each other out, and the result often looks no better than the raw file you started with.