FStoppers

Nikon has just announced a new firmware update for their Nikon ZR cinema camera. Let’s have a look at some of the coming updates.

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Have you ever gone back to look at older images you created? Whether they’re from six months ago or six years ago, there are often elements worth revisiting. As our eyes mature and technology advances, we’re able to see opportunities to refine those images in ways we simply couldn’t before.

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If you’ve ever looked at National Geographic’s “Your Shot” favorites and thought, “I could never compete with that,” you’re not alone—and you’re also probably aiming at the wrong target. Most photographers assume editors are hunting for the sharpest file, the cleanest composition, or the most technically “correct” exposure. A picture editor’s job isn’t to find the most perfect photograph. It’s to find the photograph that can carry attention, meaning, and credibility—fast—and still feels worth returning to later.

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Proof that you don't need to spend $2,000 to get professional results.

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Standing in front of a landscape that feels unreal can make your brain short-circuit, and your photos often show it. This video breaks down a method for getting past that frozen, everything-is-important feeling without turning the moment into a checklist.

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You can shoot the same subject twice and still end up with two completely different photographs when the conditions change, especially when snow rewrites every edge and shadow. This video follows an ultra-large format camera shoot where the stakes are simple: get it right before the light fades and before you ruin the scene by walking through it.

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High-ISO files can look fine at thumbnail size, then fall apart the moment you zoom in and see the grit crawling through feathers, skin, or shadows. If you rely on noise reduction, the real question is what each tool does to detail when the file is already stressed at ISO 12,800.

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You can waste years buying the wrong gear if you never decide what kind of work you actually want to make. This video helps you sort what’s worth paying for, what can wait, and what will still be useful after your next upgrade cycle.

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Some ideas take years to resolve in photography—not because the location changes, but because your ability to translate what you see into an image takes time, experience, and sometimes the right tool.

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For some photographers, firmware feels like a dirty word—especially for beginners. Should you install every update that appears, or leave things as they are if your camera works fine? For many, it starts with a more straightforward question: What is firmware, and why does it matter?

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You keep hearing that a Leica can change how you shoot, but it is hard to separate myth from real shifts in how you see and move. This videop puts that question in a messy, real setting, then pulls out a few specific changes that might sound small until you recognize them in your own contact sheets.

Coming to you from Ari Jaaksi, this reflective video starts with a family Christmas trip that is loud, crowded, and nonstop, then...

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Pick up a Sony a7 V. Now pick up a Canon EOS R6 Mark III. Now a Nikon Z6 III. All three cameras launched in 2025. All three hit roughly the same resolution. All three offer comparable autofocus performance, similar video capabilities, equivalent build quality, and nearly identical ergonomics. They are, for most practical purposes, the same camera wearing different logos.

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When you edit photos on a laptop, tiny desk decisions can quietly wreck your neck, your wrists, and your attention, even if the machine is fast. This helpful video will improve your working life.

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Foggy beach mornings are a stress test for your kit and your patience, especially when the background turns into a blank sheet of white. If you usually lean on long lenses or dramatic light, this video puts a spotlight on a different skill set: building strong frames from close-range texture, shape, and context.

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The Kodak Charmera Keychain Digital Camera is a tiny Kodak novelty that looks like a toy and sometimes behaves like one. It’s still the kind of device that can change how you shoot on a normal day, especially when you’re sick of chasing perfect files.

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There is a moment early in every photographer's journey when they realize that simply pointing a camera at something interesting does not automatically produce an interesting photograph. The gap between what we see with our eyes and what the camera captures can feel impossibly wide. We stand in front of a stunning landscape or a compelling portrait subject, press the shutter, and somehow the resulting image falls flat. The scene that moved us in person becomes mundane in the frame. While there are countless technical explanations for this phenomenon, one of the most overlooked culprits is deceptively simple: we are shooting from the wrong height.

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A fast portrait lens can make it dangerously easy to lean on blur and call it style. The video focuses on the small portrait habits that quietly flatten your results, even when focus and exposure look “right.”

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I wasn’t planning to shoot any macro photography that day because it is something I very rarely do. But I have such a huge respect for the macro masters I see and thought, "I would give it a proper go." After all, photography is very much about experimentation and creativity, so let's dive in, shall we?

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You can get “window light” even when there isn’t a usable window, and the difference between fake and believable usually comes down to a few small decisions. If you shoot portraits in a controlled space, this approach gives you a repeatable look without waiting on weather, time of day, or room layout.

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Your landscape can look incredible in person and still turn into a flat photo once you open it in Lightroom. The video breaks down why that mismatch happens and what to do about it when a scene feels “big” to your eyes but small on the screen.

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