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Here are 10 quick landscape photography tips to help you take better landscape shots which includes points you may not have thought of such as using negative space and looking for natural frames. 

 

1. Use A Tripod

A tripod is a tool a landscape photographer shouldn't be walking out of the house without. Not only do they help reduce shake and assist with those popular blurry water techniques, but they also slow you down, giving you chance to think more about the scene in front of you and as a result, help improve your composition. You'll also be more likely to stay in one location for longer as you won't be supporting the weight of a camera and a lens meaning you can sit and watch the light change, clouds move or the sun dip below the horizon until the moment you want to capture presents itself.
 

2. Lines & Shapes Are Your Friend

Learn to look for shapes, lines or patterns which can help add direction, interest and depth to your shots. These could be paths, fences, patterns in a frozen lake, long lines of trees...etc.
 

3. Don't Be Afraid Of Negative Space

If used correctly, the empty space you leave in your shots (negative space) can make your photograph more interesting and easier to focus on rather than trying to fill every inch of the frame with interest.

 

4. Find A Frame

When used correctly, frames can help focus the viewer's eye on the main subject and they don't always have to be full frames either as a hanging branch, for example, can work just as successfully at guiding the eye. Look for arches created by paths of trees, leaves/hedges you can blur into an out of focus frame...etc. 

 

 

5. Move The Horizon

As well as keeping the horizon straight you need to avoid sitting it right in the middle of your frame as this just cuts the image in two and isn't very interesting (most of the time). When you have skies bursting with colour pull the horizon down and make more of it but if its the land that's your shining star shift the horizon up so the sky takes up less space. Of course, there are times when this rule doesn't apply but it's something you need to keep in mind when setting your shot up. 

 

6. Emphasize Size

By adding something to the shot the viewer can use to gauge a sense of scale from, they'll be able to grasp how vast/large the landscape really is, exaggerating the 'wow' factor as a result. 

 

7. Interesting Skies Are Great

Be it cloud formations, a storm coming in off the sea or a striking sunset, the sky is a great tool for adding extra interest to your landscape shots. Don't be afraid of the rain as moody clouds can give your landscapes an interesting twist and windy days will help you add a sense of movement to your usually still landscape shots. Sometimes you'll have to be patient and wait for the light but it's worth it in the end. 

 

8. Look For Lone Subjects

A single subject in a wide landscape shot will always work well. A lonely tree, a tractor or barn are just three examples that spring to mind but no matter what you pick, you can guarantee it'll help you create a striking yet simple composition. 

 

 

9. Create Depth And Dimension

You don't want a big, boring, empty space of nothingness in the foreground of your shot as this will just result in a boring example of landscape photography. To improve your photos, include some sort of foreground interest. By doing so you'll create depth, guide the eye and give your 2D image a 3D feel. If you find there's too much of the middle of your shot that's still empty try shooting from a lower angle. 
 

10. Filters Are Your Friends 

If you are only going to carry two filters with you they should be a Graduated ND and Polarising filter. A Graduated ND filter will help you produce a more balanced exposure while a Polarising filter will help colours appear more vibrant, deepening blue skies and giving foliage more punch. This filter can also help reduce reflections and cut down on the sheen coming off fur and skin.
 

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Photography publications, including this one, spend most of their editorial energy on exciting lenses. The fastest aperture in the category. The sharpest optic in the lineup. The new release that leapfrogs last year's model. The GM, the Art, the L-series, the S-Line flagship. These are the lenses that generate press coverage, forum arguments, and YouTube thumbnails with wide-eyed reviewers holding glass that costs more than a used car. 

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One of the biggest changes in my photography did not come from buying new gear, learning a complicated editing technique, or traveling to better locations. It came from something much simpler. I stopped relying on the idea that I could fix everything later in editing. 

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Today, I decided to try something new. So, join me on a walk through the park with the NIKKOR Z MC 105mm f/2.8 VR S macro lens. 

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The Panasonic Lumix L10 lands in a crowded field of compact everyday-carry cameras, but it takes a noticeably different approach from most of its competition.  

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Acapulco at night feels less like a city and more like a stage set designed by a casino architect having a mild nervous breakdown. Palm trees multiply in every direction. Floodlights blast the sand with the subtlety of a prison yard. Massive hotels rise from the coastline pretending time still moves the way it did decades ago, as if glamour could survive indefinitely through architecture and denial alone.

 

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Lightroom skin tone editing is one of those things that separates a gallery that looks cohesive from one that looks like a collection of individual images. Get it wrong and even technically sharp, well-exposed portraits look off in ways clients can't always name but will absolutely feel. 

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The Viltrox AF 75mm f/1.8 is a short telephoto portrait lens for APS-C mirrorless cameras, giving you a full frame equivalent of around 113mm. At $329, it sits in a price range where quality can vary wildly, and whether Viltrox has delivered something genuinely worth the money is exactly what this review puts to the test. 

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Lighting choices age or youth your subject more than any retouching tool. Three specific decisions, made on every shoot, determine whether someone looks weathered or fresh, and most people make them without fully understanding what they're doing. 

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1. Camera Choices

If you have one, use an interchangeable lens camera but compact or smartphone users shouldn't think this means they can't shoot good portraits. Select Portrait Mode as this will tell the camera you want to use a wider aperture to throw the background out of focus. It also helps if you use the telephoto end of the zoom, just keep the camera steady as shake can be emphasised when working closer to your subject.
 

2. Lens Options

You want to throw the background out of focus and using a telephoto lens will make this job easier. A telephoto lens also creates a more flattering perspective.

  3. Should I Use A Tripod?

Longer lenses may create a more pleasant and natural-looking portrait but when you're working hand-held shake can be a problem. To combat this, don't let your shutter speed value drop lower than your focal length when working hand-held or just put your camera on a tripod.

 

4. Sun Direction

Soft morning or evening light is good for portraits but sometimes we don't have a choice but to shoot when the sun's more direct and high in the sky. Most people will position themselves so the sun sits behind them, facing their subject but this will only cause them to squint. Instead, position your subject so the sun sits behind them. This will diffuse the light and make yoke subject 'pop' out of the frame by creating a halo of light around their head. Just remember you'll need to meter from your subject's face to get your exposure right as if you meter manually from the background, you'll end up with a silhouetted subject.

 

 

5. Shadows

Shooting with the sun behind your subject can leave unsightly shadows under the nose and eyes. A pop of flash will remove them but this can look a little artificial, particularly if you're using a compact camera where the flash is more direct, so try using a reflector to bounce extra light into the shot. If you're working alone you'll need to compose your shot and set the camera on a self-timer or use a remote release to set the exposure going so you can hold the reflector in place. If your subject's hands aren't going to be in the shot you could get them to hold it or rope a friend into being your assistant if you can. If you do want to use flash, take it off your hotshoe (if using a DSLR) and bounce it off a reflective surface to diffuse it.

 

6. Find Shade

The light in shaded areas is more even and is less likely to have spots of bright light and harsh shadows, making them easier to work with.

 

7. Background

Even though you're outdoors you don't want the background to overshadow your subject so make sure it's not too busy and throw it out of focus. A wider aperture and putting some distance between your subject and the background will help you achieve this.

  8. Natural Props

You're in the outdoors so use the trees, leaves and flowers around you in your portraits. Subjects sometimes don't know what to do with their hands and can look awkward as a result. To stop this, give them something to hold/lean on. Ask them to lean on a tree trunk or hold a branch. How about getting them to blow on dandelions? Or framing their faces with branches and leaves?

 

 

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Beyond the gesture lies the question of what survives the movement. This part moves from the mechanics of the camera to the discipline of the image, identifying the "points of failure" where structure, color hierarchy, and spatial layers collapse into visual mud. It defines the "indexical anchor" as the boundary between a durable photographic image and a decorative dissolve. 

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Over the years, I've looked at a ridiculous number of photography websites. Partly because I'm nosy, partly because I do website critiques, and partly because during lockdown, I worked for a marketing agency and did a lot of UX work. After a while, patterns start appearing. 

Interestingly, most of the problems I repeatedly see have very little to do with photography itself. In a lot of cases, the actual work is great. The problem is how everything is being presented.

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Have you ever wanted to run away to a cabin in the woods, live off grid, and just create freely? It sounds like a dream, but modern photo and video workflows require too much power to make it a reality, that is, until now. I traveled to Paris for the global launch of the Bluetti Balco series to find out how its new plug-and-play solar ecosystem lets creators generate and store their own energy on location. 

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The camera industry is built on a ladder. At the bottom, there is a $600 to $800 entry-level body with a kit zoom, often no in-body stabilization, a single card slot, a plastic build, and a thin lens ecosystem. At the top, there is a $3,000 to $6,000 professional body with IBIS, dual card slots, weather-sealing, a magnesium alloy chassis, and an extensive lens lineup. In between, there are two or three rungs spaced at $500 to $1,000 intervals, each one adding features the rung below deliberately omitted.

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The Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary sits in an awkward middle ground that most people dismiss without thinking too hard about it. Street shooters call it too big. Wildlife photographers call it too short. Row thinks they're both wrong. 

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For good garden photos your garden needs to be looking at its best and the light has to be right. But as you look out of the window at it every day, you'll see when your plants and flowers look their best and you can easily be out there with your camera in minutes snapping that perfect garden shot.

  1. What Gear Do I Need? 

Your standard zoom is fine but if you want to get closer to the flowers to hide the weeds you need a macro lens. If it's very bright attach a polariser to your lens to reduce glare and consider using a tripod that has a centre column that can be used in a horizontal position to get closer to flowerheads. A small reflector will help direct light to where it's needed and you don't even have to purchase one as you can create your own from foil and card. 
 

2. Avoid Bright, Sunny Days 

To be honest, bright days when the sun is high in the sky can be awkward as the colours will be too harsh and you'll have deep, dark shadows. A lot of flower photographers prefer early mornings, but a still evening's just as good. In fact, why not get outside after work and enjoy the warmth of the evening while you take your photographs? Hazy days when it's a little cloudy but the sun's still shining are perfect, though, as the clouds act as a giant softbox, diffusing the light.
 

3. Dealing With Windy Days 

If there's a gentle breeze in the air crank up the shutter speed or stick your camera on a tripod and slow the speed right down if you fancy taking some experimental shots.

 

4. How Green Is Your Garden? 

If your garden's too green you may need to narrow your focus as even though your eyes can see the spots of colour your camera might not. Getting in closer will also hide the weeds and broken shed windows you want to disguise or you could use them as subject as weeds can be just as photogenic as roses.

 

 

5. Create Paths And Frames 

If you have a path use it to guide the viewer's eye from the front to the back of the image, creating depth. A small aperture will give plenty of depth-of-field. Give your garden a 'frame' too as with portraits, they can be improved with one. Entrances, arches, gates, hedges and overhanging trees all work well. Also, look beyond your garden hedge and fence to see if you have a view that can add to your garden landscape.

 

6. Shoot Some Macro Work 

If you do get your macro lens out make sure you fill the frame and blur the background with a larger aperture. Flowers are nice but look for interesting leaves too as these often have textures flowers don't have. Keep your eye out for insects such as butterflies who can be found on a cool morning with their wings open warming up too.

 

7. Make The Most Of Showers 

If a gentle shower's fallen get outside as you can get great images. Close-ups of water droplets on blooms can look great. Of course, if you haven't had any rain for a while, fill a water spray or even a watering can and provide your own 'dew' or 'rain'.

 

8. Take Garden Photos All Year Round 

Don't think this is just a one evening project either as different seasons, mood and light give you endless photographic opportunities right on your doorstep.

 

 

You've read the technique now share your related photos for the chance to win prizes: Daily Forum Competition

Welcome to the June Critique the Community!  For this contest/critique, we are doing another abstract theme that should allow more photographers to enter. For this month we want to see your best photograph that feature "Motion Blur". If you have images that showcase fast moving subjects, camera shake, long shutter speeds, or anything else that epitomizes motion blur, we would love to see them!

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Bryce 2 defined the visual language of '90s CGI, and almost nothing in modern 3D software can replicate it. The raw ray tracing engine, the playful UI designed by Kai Krauss, the fog, the chrome, the fractal mountains — modern renderers have layered so many features on top of that foundation that getting back to that specific look is nearly impossible without going back to the source. 

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The Viltrox AF 90mm f/2.2 EVO is the company's latest in its budget-friendly, compact line of lenses for APS-C systems, and it offers excellent image quality and value for the dollar. 

Design and Build Quality  

The 90mm is compact and light, providing a 135mm equivalent focal length in full frame terms. Weighing in around 345 g, one almost forgets that it's a 135mm focal length. I took the lens around for a day of shooting attached to a Fujifilm X-T5, and barely noticed it was there. 

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An image of a little owl running along a branch has been awarded the Photo of the Week accolade this week.

The image, taken by ePz member sherlob, is titled 'The Trot'. This is a well-timed capture of a wild little owl moving across its perch. The bird is photographed on the move. The feathers show rich brown and white patterns, and the exposure keeps the fine details of the plumage clear and sharp.

A fast shutter speed keeps the owl and the branch sharp and clear. The composition places the bird on the right side of the frame as it moves toward the left. The soft, out-of-focus background ensures the focus stays on the owl and its behaviour.

Every Photo of the Week (POTW) winner will be rewarded with a Samsung 128GB PRO Plus microSDXC memory card with SD adapter, providing top-tier storage for all your creative needs across multiple devices. But that's not all! In January 2027, we’ll crown our 2026 Photo of the Year winner, who will take home the ultimate prize of a Samsung Portable 1TB SSD T7 Shield, courtesy of Samsung. It’s time to shoot, submit, and showcase your best work for a chance to win these incredible rewards!